{"id":5480,"date":"2024-02-08T19:00:49","date_gmt":"2024-02-08T17:00:49","guid":{"rendered":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=5480"},"modified":"2024-09-25T15:27:38","modified_gmt":"2024-09-25T13:27:38","slug":"suvremena-ruska-kratka-prica-3","status":"publish","type":"page","link":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=5480","title":{"rendered":"Suvremena ruska kratka pri\u010da"},"content":{"rendered":"<p><strong>Naziv kolegija: <\/strong>Suvremena ruska kratka pri\u010da<\/p>\n<p><strong>ECTS bodovi:\u00a0<\/strong>3<\/p>\n<p><strong>Semestar izvo\u0111enja:\u00a0<\/strong>ljetni<\/p>\n<p><strong>Nositelj:\u00a0<\/strong>izv. prof. dr. sc. Ivana Peru\u0161ko<\/p>\n<p><strong>Izvo\u0111a\u010d:\u00a0<\/strong>izv. prof. dr. sc. Bla\u017e Podlesnik (Sveu\u010dili\u0161te u Ljubljani) \u2013 predavanje; izv. prof. dr. sc. Ivana Peru\u0161ko \u2013 seminar<\/p>\n<p><strong>Vrijeme i mjesto: <\/strong><\/p>\n<p><strong>Seminar: <\/strong>petak 13.15 \u2013 14.00 (izv. prof. dr. sc. Ivana Peru\u0161ko)*<\/p>\n<p>*Seminari se izvode 1x tjedno (petkom) prema zadanom rasporedu (1S).<\/p>\n<p><strong>Predavanje: <\/strong>\u010detvrtak <strong>29.2<\/strong>. i petak <strong>1.3<\/strong>.; \u010detvrtak <strong>28. 3.<\/strong> i petak <strong>29. 3<\/strong>.; \u010detvrtak <strong>25. 4.<\/strong> i petak <strong>26. 4<\/strong>.; \u010detvrtak <strong>9. 5.<\/strong>, petak <strong>10. 5.<\/strong> = kumulativno \u00a0(izv. prof. dr.sc. Bla\u017e Podlesnik)*<\/p>\n<p>*Predavanja se izvode kumulativno: 29. 2. (4P), 1.3. (4P), 28. 3.(4P), 29. 3.(4P), 25. 4.(4P), 26. 4. (4P), 9.5. (3P), 10.5. (2P).<\/p>\n<p><strong>Jezik:<\/strong>\u00a0ruski<\/p>\n<p><strong>Cilj:<\/strong><\/p>\n<p>Kolegiju je cilj da studenti kroz nu\u017ean teorijski okvir i zajedni\u010dku analizu izabranih djela usvoje i sintetiziraju specifi\u010dnosti kratke prozne forme. Tomu \u0107e pomo\u0107i i knji\u017eevno-povijesni pregled tzv. \u201dmale proze\u201d u ruskoj knji\u017eevnosti 20. i 21. stolje\u0107a. Kolegiju je cilj poticati studente da kroz zajedni\u010dki i samostalni analiti\u010dko-kriti\u010dki rad s raznolikim tekstovima umiju raspoznati i klasificirati razli\u010dite modele suvremene ruske kratke forme (od modernisti\u010dkih pa sve do postmodernisti\u010dkih pripovijedaka i autora). Stoga kolegij pretpostavlja kako prakti\u010dnu analizu izabranih djela tako i va\u017ena teorijska razmatranja o samome \u017eanru, ideji i strukturi kra\u0107ih narativnih formi unutar ruske knji\u017eevnosti s po\u010detka 20 stolje\u0107a sve do suvremenih dana.\u00a0Napokon, cilj kolegija jest potaknuti studente na analiti\u010dko-kriti\u010dki rad s primarnom i sekundarnom literaturom na ruskome jeziku.<\/p>\n<p><strong>Metode pou\u010davanja:<\/strong><\/p>\n<ul>\n<li>podu\u010davanje<\/li>\n<li>raspravljanje<\/li>\n<li>uporaba ra\u010dunala (Power Point, Internet)<\/li>\n<li>analiza teksta<\/li>\n<li>close reading<\/li>\n<li>diskusija<\/li>\n<li>studentske prezentacije<\/li>\n<\/ul>\n<p><strong>Metode ocjenjivanja:<\/strong><\/p>\n<ul>\n<li>pismeni ispit i seminarski rad<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Ishodi u\u010denja<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"6\"><\/td>\n<td width=\"448\">&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studenti \u0107e mo\u0107i nabrojiti i opisati teorijske termine na ruskom jeziku koji su potrebni za analizu knji\u017eevnoga djela.<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studenti \u0107e mo\u0107i klasificirati i objasniti razvoj, ulogu i zna\u010denje kra\u0107e narativne proze na ruskome jeziku.<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studenti \u0107e mo\u0107i analizirati kra\u0107i prozni tekst\u00a0 i sintetizirati bitno u tekstu.<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studenti \u0107e mo\u0107i samostalno napisati i prezentirati strukturirani tekst na ruskom jeziku.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table width=\"496\">\n<tbody>\n<tr>\n<td colspan=\"3\" width=\"481\"><strong>Sadr\u017eaj: <\/strong><\/p>\n<p>1.\u00a0\u00a0\u00a0\u00a0 \u017danr kratke pri\u010de u kontekstu ruske knji\u017eevnosti. \u0420\u0430\u0441\u0441\u043a\u0430\u0437 \u043a\u0430\u043a \u0436\u0430\u043d\u0440 \u0438 \u0440\u0430\u0441\u0441\u043a\u0430\u0437 \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b.<\/p>\n<p>2.\u00a0\u00a0\u00a0\u00a0 Iz povijesti ruske kratke pri\u010de 20. stolje\u0107a: \u017eanr kratke pri\u010da kao poku\u0161aj pronala\u017eenja autorskoga glasa: Bunin, Andreev i Remizov. \u00a0\u0418\u0437 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430 20-\u0433\u043e \u0432\u0435\u043a\u0430: \u043d\u0430\u0447\u0430\u043b\u043e \u0432\u0435\u043a\u0430 \u0438 \u0440\u0430\u0441\u0441\u043a\u0430\u0437 \u043a\u0430\u043a \u0436\u0430\u043d\u0440 \u043f\u043e\u0438\u0441\u043a\u043e\u0432 \u0430\u0432\u0442\u043e\u0440\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u0447\u0435\u0440\u043a\u0430 \u2014\u00a0 \u0411\u0443\u043d\u0438\u043d, \u0410\u043d\u0434\u0440\u0435\u0435\u0432 \u0438 \u0420\u0435\u043c\u0438\u0437\u043e\u0432.<\/p>\n<p>3.\u00a0\u00a0\u00a0\u00a0 Suvremena proza i pripovijetka, pitanje knji\u017eevne suvremenosti \u2013 ideje i stilovi suvremene proze. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u043f\u0440\u043e\u0437\u0430 \u0438 \u0440\u0430\u0441\u0441\u043a\u0430\u0437, \u0432\u043e\u043f\u0440\u043e\u0441 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0439 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u2014 \u0438\u0434\u0435\u0438 \u0438 \u0441\u0442\u0438\u043b\u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u043f\u0440\u043e\u0437\u044b.<\/p>\n<p>4.\u00a0\u00a0\u00a0\u00a0 Prete\u010da suvremenosti \u2013 konceptualizam 1970-ih i 1980-ih te koncept kao junak pripovijetke u prozi L. Rubin\u0161tejna (1947\u20132024). \u041a\u043e\u0440\u043d\u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u2014 \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u0438\u0437\u043c (1970-\u044b\u0435\u20141980-\u044b\u0435) \u0438 \u043a\u043e\u043d\u0446\u0435\u043f\u0442 \u043a\u0430\u043a \u0433\u0435\u0440\u043e\u0439 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430 \u0432 \u043f\u0440\u043e\u0437\u0435 \u041b\u044c\u0432\u0430 \u0420\u0443\u0431\u0438\u043d\u0448\u0442\u0435\u0439\u043d\u0430 (1947\u20132024).<\/p>\n<p>5.\u00a0\u00a0\u00a0\u00a0 Prete\u010da suvremenosti \u2013 postrealizam i Ljudmila Petru\u0161evskaja. \u00a0\u041a\u043e\u0440\u043d\u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u2014 \u043f\u043e\u0441\u0442\u0440\u0435\u0430\u043b\u0438\u0437\u043c \u0438 \u041b\u044e\u0434\u043c\u0438\u043b\u0430 \u041f\u0435\u0442\u0440\u0443\u0448\u0435\u0432\u0441\u043a\u0430\u044f.<\/p>\n<p>6.\u00a0\u00a0\u00a0\u00a0 T. Tolstaja \u2013 pripovijetke. \u0420\u0430\u0441\u0441\u043a\u0430\u0437 \u0422\u0430\u0442\u044c\u044f\u043d\u044b \u0422\u043e\u043b\u0441\u0442\u043e\u0439.<\/p>\n<p>7.\u00a0\u00a0\u00a0\u00a0 Proza Vladimira Makanina i njegova pripovijetka <em>Kavkazskij plennyj. <\/em>\u041f\u0440\u043e\u0437\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440\u0430 \u041c\u0430\u043a\u0430\u043d\u0438\u043d\u0430 \u0438 \u0435\u0433\u043e \u0440\u0430\u0441\u0441\u043a\u0430\u0437 <em>\u041a\u0430\u0432\u043a\u0430\u0437\u0441\u043a\u0438\u0439 \u043f\u043b\u0435\u043d\u043d\u044b\u0439.<\/em><\/p>\n<p>8.\u00a0\u00a0\u00a0\u00a0 Postmodernizam i kratka pri\u010da \u2013 Vladimir Sorokin. \u0420\u0430\u0441\u0441\u043a\u0430\u0437 \u043f\u043e\u0441\u0442\u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430 \u2014 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440\u0430 \u0421\u043e\u0440\u043e\u043a\u0438\u043d.<\/p>\n<p>9.\u00a0\u00a0\u00a0\u00a0 Postmodernizam i kratka pri\u010da \u2013 Viktor Pelevin. \u0420\u0430\u0441\u0441\u043a\u0430\u0437 \u043f\u043e\u0441\u0442\u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430 \u2014 \u0412\u0438\u043a\u0442\u043e\u0440 \u041f\u0435\u043b\u0435\u0432\u0438\u043d.<\/p>\n<p>10.\u00a0 Kratka pri\u010da u stvarala\u0161tvu Ljudmile Ulicke. \u0420\u0430\u0441\u0441\u043a\u0430\u0437 \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u041b\u044e\u0434\u043c\u0438\u043b\u044b \u0423\u043b\u0438\u0446\u043a\u043e\u0439.<\/p>\n<p>11.\u00a0 Problem autorstva (\u010charti\u0161vili\/Akunin) u suvremenoj prozi na primjeru <em>Kladbi\u0161\u010denskih istorij.<\/em> \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u0430 \u0430\u0432\u0442\u043e\u0440\u0441\u0442\u0432\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u043f\u0440\u043e\u0437\u0435 \u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 <em>\u041a\u043b\u0430\u0434\u0431\u0438\u0449\u0435\u043d\u0441\u043a\u0438\u0445<\/em> <em>\u0438\u0441\u0442\u043e\u0440\u0438\u0439<\/em> \u0427\u0445\u0430\u0440\u0442\u0438\u0448\u0432\u0438\u043b\u0438\/\u0410\u043a\u0443\u043d\u0438\u043d\u0430.<\/p>\n<p>12.\u00a0 Suvremena \u00abproza pjesnika\u00bb \u2013 rimovane kratke pri\u010de Dmitrija Bykova. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u00ab\u043f\u0440\u043e\u0437\u0430 \u043f\u043e\u044d\u0442\u0430\u00bb \u2014 \u00ab\u0440\u0430\u0441\u0441\u043a\u0430\u0437\u044b \u0432 \u0440\u0438\u0444\u043c\u0443\u00bb \u0414\u043c\u0438\u0442\u0440\u0438\u044f \u0411\u044b\u043a\u043e\u0432\u0430.<\/p>\n<p>13.\u00a0 \u00abMangupske\u00bb kratke pri\u010de i \u00abmangupska\u00bb knji\u017eevnost Zahara Prilepina. \u00ab\u041f\u0430\u0446\u0430\u043d\u0441\u043a\u0438\u0439\u00bb \u0440\u0430\u0441\u0441\u043a\u0430\u0437 \u0438 \u00ab\u043f\u0430\u0446\u0430\u043d\u0441\u043a\u0430\u044f\u00bb \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0417\u0430\u0445\u0430\u0440\u0430 \u041f\u0440\u0438\u043b\u0435\u043f\u0438\u043d\u0430.<\/p>\n<p>14.\u00a0 Novi autorski glasovi \u2013 Elena Posvjatovskaja. \u041d\u043e\u0432\u044b\u0435 \u0430\u0432\u0442\u043e\u0440\u0441\u043a\u0438\u0435 \u0433\u043e\u043b\u043e\u0441\u0430 \u2014 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u044b \u0415\u043b\u0435\u043d\u044b \u041f\u043e\u0441\u0432\u044f\u0442\u043e\u0432\u0441\u043a\u043e\u0439.<\/p>\n<p>15.\u00a0 Kratka pri\u010da i kaoti\u010dnost sada\u0161njice \u2013 Denis Glucko.\u00a0 \u0420\u0430\u0441\u0441\u043a\u0430\u0437 \u0438 \u0445\u0430\u043e\u0441 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430 \u0414\u0435\u043d\u0438\u0441\u0430 \u0413\u0443\u0446\u043a\u043e (<em>\u041d\u0430\u0446\u0438\u043a\u0438 \u0432\u0441\u0435\u0433\u0434\u0430 \u0442\u0430\u043a. \u0417\u0430\u043c\u0435\u0442\u043a\u0438 \u0432\u043e\u043b\u043e\u043d\u0442\u0435\u0440\u0430<\/em>)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Obavezna literatura: <\/strong><\/p>\n<p><strong>Primarna literatura: <\/strong><\/p>\n<p>Kratke pri\u010de navedenih autora.<\/td>\n<td width=\"11\">&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"476\"><strong>\u00a0<\/strong><\/p>\n<table width=\"471\">\n<tbody>\n<tr>\n<td width=\"306\"><strong>Kriti\u010dka literatura: <\/strong><\/td>\n<td width=\"136\"><\/td>\n<td width=\"3\"><\/td>\n<td colspan=\"3\" width=\"20\"><\/td>\n<\/tr>\n<tr>\n<td colspan=\"4\" width=\"448\">\u0411\u043e\u0433\u0434\u0430\u043d\u043e\u0432\u0430, \u041e. <em>\u041f\u043e\u0441\u0442\u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b, <\/em>\u0421\u041f\u0411: \u0424\u0438\u043b\u043e\u043b\u043e\u0433, 2004.<\/p>\n<p>\u0412\u0435\u043b\u043b\u0435\u0440, M. <em>\u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430, <\/em>\u041c\u043e\u0441\u043a\u0432\u0430: \u0410\u0421\u0422, 2006.<\/p>\n<p>\u0414\u0440\u0443\u0436\u043d\u0438\u043a\u043e\u0432, \u042e. <em>\u0416\u0430\u043d\u0440 \u0434\u043b\u044f XXI \u0432\u0435\u043a\u0430, <\/em>\u0432: \u041d\u043e\u0432\u044b\u0439 \u0436\u0443\u0440\u043d\u0430\u043b, \u041d\u044c\u044e-\u0419\u043e\u0440\u043a, 2000.<\/p>\n<p>\u0415\u0440\u043e\u0444\u0435\u0435\u0432, \u0412. <em>\u0420\u0443\u0441\u0441\u043a\u0438\u0435 \u0446\u0432\u0435\u0442\u044b \u0437\u043b\u0430<\/em>, \u041c\u043e\u0441\u043a\u0432\u0430: \u042d\u0441\u043a\u043c\u043e, 2002.<\/p>\n<p>\u041d\u0435\u0444\u0430\u0433\u0438\u043d\u0430, \u0413. <em>\u0420\u0443\u0441\u0441\u043a\u0430\u044f \u043f\u0440\u043e\u0437\u0430 \u043a\u043e\u043d\u0446\u0430 20 \u0432\u0435\u043a\u0430<\/em>, \u041c\u043e\u0441\u043a\u0432\u0430: \u0424\u043b\u0438\u043d\u0442\u0430, 2005.<\/p>\n<p>Shneidman, N. N. <em>Contemporary Prose in Post-Soviet Russia, <\/em><a href=\"http:\/\/www.utoronto.ca\/tsq\/08\/shneidman08.shtml#top\">http:\/\/www.utoronto.ca\/tsq\/08\/shneidman08.shtml#top<\/a>.<\/p>\n<p>\u0422\u043e\u043c\u0430\u0448\u0435\u0432\u0441\u043a\u0438\u0439, \u0411. <em>\u0422\u0435\u043e\u0440\u0438\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b: \u043f\u043e\u044d\u0442\u0438\u043a\u0430<\/em>, \u041c\u043e\u0441\u043a\u0432\u0430: \u0410\u0441\u043f\u0435\u043a\u0442-\u043f\u0440\u0435\u0441\u0441, 1996.<\/p>\n<p>\u042d\u0439\u0445\u0435\u043d\u0431\u0430\u0443\u043c \u0411. \u041c. <em>\u041e&#8217;\u0413\u0435\u043d\u0440\u0438 \u0438 \u0442\u0435\u043e\u0440\u0438\u044f \u043d\u043e\u0432\u0435\u043b\u043b\u044b<\/em> (\u0440\u0430\u0431\u043e\u0442\u0430 1925 \u0433\u043e\u0434\u0430).<\/td>\n<td width=\"2\"><\/td>\n<td width=\"15\"><\/td>\n<\/tr>\n<tr>\n<td width=\"308\"><\/td>\n<td width=\"137\"><\/td>\n<td width=\"4\"><\/td>\n<td width=\"2\"><\/td>\n<td width=\"4\"><\/td>\n<td width=\"17\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td colspan=\"3\" width=\"16\"><\/td>\n<\/tr>\n<tr>\n<td width=\"476\">\n<table>\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<table width=\"471\">\n<tbody>\n<tr>\n<td width=\"306\"><\/td>\n<td width=\"136\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"15\"><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td><\/td>\n<td colspan=\"2\" width=\"12\"><\/td>\n<\/tr>\n<tr>\n<td width=\"478\"><\/td>\n<td width=\"3\"><\/td>\n<td width=\"2\"><\/td>\n<td width=\"13\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Suvremena ruska kratka pri\u010da ECTS bodovi:\u00a03 Semestar izvo\u0111enja:\u00a0ljetni Nositelj:\u00a0izv. prof. dr. sc. Ivana Peru\u0161ko Izvo\u0111a\u010d:\u00a0izv. prof. dr. sc. Bla\u017e Podlesnik (Sveu\u010dili\u0161te u Ljubljani) \u2013 predavanje; izv. prof. dr. sc. Ivana Peru\u0161ko \u2013 seminar Vrijeme i mjesto: Seminar: petak 13.15 \u2013 14.00 (izv. prof. dr. sc. Ivana Peru\u0161ko)* *Seminari se izvode 1x tjedno (petkom) [&hellip;]<\/p>\n","protected":false},"author":123457,"featured_media":0,"parent":22,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5480","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/123457"}],"replies":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5480"}],"version-history":[{"count":3,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5480\/revisions"}],"predecessor-version":[{"id":5484,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5480\/revisions\/5484"}],"up":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}