{"id":5473,"date":"2024-02-06T21:39:58","date_gmt":"2024-02-06T19:39:58","guid":{"rendered":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=5473"},"modified":"2026-02-05T13:30:47","modified_gmt":"2026-02-05T11:30:47","slug":"suvremena-zenska-proza-2","status":"publish","type":"page","link":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=5473","title":{"rendered":"Suvremena \u017eenska proza"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Broj ECTS bodova:<\/strong> 3\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Semestar izvo\u0111enja:\u00a0<\/strong>ljetni\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nositelj i izvo\u0111a\u010d:<\/strong> izv. prof. dr. sc. Danijela Lugari\u0107 Vukas\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jezik: <\/strong>ruski i hrvatski\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Oblik nastave: <\/strong>predavanje (2 sata) i seminar (1 sat)\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Trajanje: <\/strong>1 semestar, 3 sata tjedno\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prostor i vrijeme: <\/strong>petak, 11.00-12.30 (predavanje); 12.30-13.15 (seminar); A-118\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Uvjeti:<\/strong> polo\u017een <em>Pregled povijesti ruske knji\u017eevnosti 2\u00a0<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ciljevi kolegija<\/strong>:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kolegij se temelji na analizi reprezentativnih djela ruskih spisateljica razli\u010ditih generacija \u2014\u202fLjudmila Ulicka,\u202fLjudmila Petru\u0161evska,\u202fOksana Vasjakina,\u202fGuzel Jahina\u202fi\u202fMarija Stepanova\u202f\u2014 te kriti\u010dki propituje pojam tzv. \u017eenske proze. Posebna se pozornost posve\u0107uje na\u010dinima na koje se mitologizirane kulturolo\u0161ke predod\u017ebe \u017eenstvenosti (pre)ispisuju i problematiziraju u suvremenoj ruskoj knji\u017eevnosti.&nbsp;Tematski fokus kolegija obuhva\u0107a reprezentacije tjelesnosti, pam\u0107enja i knji\u017eevnog stvarala\u0161tva, kao i pitanja dru\u0161tvenog i kulturnog polo\u017eaja LGBTQ+ populacije. Odabrani se tekstovi analiziraju s jedne strane kao autonomni knji\u017eevni artefakti \u2014 u pogledu \u017eanrovskih i stilskih osobitosti \u2014 a s druge u \u0161irem kontekstu kulturno-dru\u0161tvenih specifi\u010dnosti \u017eenskog i \u017eenstvenog u ruskoj i sovjetskoj kulturnoj povijesti.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Uloga kolegija u ukupnom kurikulumu<\/strong>:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kolegij \u010dini dio izbornosti kolegija iz knji\u017eevnosti na tre\u0107oj i \u010detvrtoj godini preddiplomskog studija Ruskoga jezika i knji\u017eevnosti. Uloga je kolegija da, kao jedan od kolegija u izbornoj ponudi, student(ic)e upozna s dijelom suvremenog proznog stvarala\u0161tva u Rusiji.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ishodi kolegija<\/strong>:&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Po zavr\u0161etku kolegija studenti(ce) \u0107e mo\u0107i:&nbsp;&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>objasniti na ruskome jeziku posebnosti u knji\u017eevnom stvarala\u0161tvu autorica\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>uo\u010diti i definirati osobitosti (kulturno-povijesne, dru\u0161tvene, umjetni\u010dke) polo\u017eaja \u017eene kao umjetnice u\u00a0postsovjetskoj\u00a0Rusiji\u00a0\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>opisati na ruskome jeziku dominantne teme u knji\u017eevnosti autorica\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>uo\u010diti i komentirati promjene koje nastaju u knji\u017eevnome i kulturnome polju tijekom\u00a0postsovjetskog\u00a0razdoblja\u00a0<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nastavne jedinice:&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1.&nbsp;Uvod.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2.&nbsp;Kulturolo\u0161ke specifi\u010dnosti&nbsp;\u017eenske proze&nbsp;\u2013 Sovjetski Savez i Rusija.&nbsp;Proza spisateljica&nbsp;u kontekstu suvremene ruske knji\u017eevnosti. Mit o Medeji. Slika\/slike majke i predod\u017ebe o maj\u010dinstvu.&nbsp;Kronotopi&nbsp;proze&nbsp;spisateljica. Specifi\u010dnosti \u017eenske proze \u2013 \u017eensko pismo (<em>\u00e9criture&nbsp;feminine<\/em>).&nbsp;V. Woolf. 2003.&nbsp;<em>Vlastita soba<\/em>&nbsp;(1929). Zagreb: Centar za \u017eenske studije. 2. poglavlje.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3.&nbsp;S. de Beauvoir. 2016.&nbsp;<em>Drugi&nbsp;spol<\/em>&nbsp;(1949). Zagreb:&nbsp;Naklada&nbsp;Ljevak. Str. 11-25.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4.&nbsp;H\u00e9l\u00e8ne&nbsp;Cixous&nbsp;\/&nbsp;\u042d\u043b\u0435\u043d&nbsp;\u0421\u0438\u043a\u0441\u0443:&nbsp;<em>\u0421\u043c\u0435\u0445<\/em><em>&nbsp;<\/em><em>\u041c\u0435\u0434\u0443\u0437\u044b<\/em>&nbsp;\/&nbsp;<em>Le&nbsp;Rire&nbsp;de la&nbsp;M\u00e9duse<\/em>, 1975.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5.&nbsp;\u041b\u044e\u0434\u043c\u0438\u043b\u0430&nbsp;\u041f\u0435\u0442\u0440\u0443\u0448\u0435\u0432\u0441\u043a\u0430\u044f, \u00ab\u0412\u0440\u0435\u043c\u044f \u043d\u043e\u0447\u044c\u00bb (1992);&nbsp;\u041b\u044e\u0434\u043c\u0438\u043b\u0430&nbsp;\u041f\u0435\u0442\u0440\u0443\u0448\u0435\u0432\u0441\u043a\u0430\u044f, \u00ab\u0421\u0432\u043e\u0439 \u043a\u0440\u0443\u0433\u00bb (1989)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6.&nbsp;\u041b\u044e\u0434\u043c\u0438\u043b\u0430&nbsp;\u0423\u043b\u0438\u0446\u043a\u0430\u044f, \u00ab\u041c\u0435\u0434\u0435\u044f \u0438 \u0435\u0435 \u0434\u0435\u0442\u0438\u00bb (1996)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7.&nbsp;\u0413\u0443\u0437\u0435\u043b\u044c&nbsp;\u042f\u0445\u0438\u043d\u0430, \u00ab\u0417\u0443\u043b\u0435\u0439\u0445\u0430 \u043e\u0442\u043a\u0440\u044b\u0432\u0430\u0435\u0442 \u0433\u043b\u0430\u0437\u0430\u00bb (2015)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8.&nbsp;\u041c\u0430\u0440\u0438\u044f&nbsp;\u0421\u0442\u0435\u043f\u0430\u043d\u043e\u0432\u0430, \u00ab\u041f\u0430\u043c\u044f\u0442\u0438&nbsp;\u043f\u0430\u043c\u044f\u0442\u0438\u00bb&nbsp;(2017)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9.&nbsp;\u041e\u043a\u0441\u0430\u043d\u0430&nbsp;\u0412\u0430\u0441\u044f\u043a\u0438\u043d\u0430, \u00ab\u0420\u0430\u043d\u0430\u00bb&nbsp;(2021)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10.&nbsp;Ponavljanje, zaklju\u010divanje, izlaganja seminarskih radova.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obavezna literatura:&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Navedena u planu rada po tjednima.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Izborna (dopunska) literatura:&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Clyman, T. W.; Greene, D. 1994.&nbsp;<em>Women&nbsp;Writers&nbsp;in&nbsp;Russian&nbsp;Literature.&nbsp;<\/em>Westport. Connecticut,&nbsp; London:&nbsp;Praeger.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Euripid:&nbsp;<em>Medeja<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Goscilo, H. (ur.). 1993.&nbsp;<em>Fruits&nbsp;of&nbsp;Her&nbsp;Plum.&nbsp;Essays&nbsp;on&nbsp;Contemporary&nbsp;Russian&nbsp;Woman&#8217;s&nbsp;Culture<\/em>. M. E.&nbsp; Sharpe.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Heldt, B. 1987.&nbsp;<em>Terrible&nbsp;Perfection.&nbsp;Women&nbsp;and&nbsp;Russian&nbsp;Literature<\/em>. Indiana University Press.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hoisington, S. (ur.)&nbsp;<em>A Plot of Her Own. The Female Protagonist in Russian Literature<\/em>. Evanson,&nbsp;Illionis.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hubbs, J. 1988.&nbsp;<em>Mother Russia. The Feminine Myth in Russian Culture<\/em>. Bloomington and Indianapolis.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kaminer, J. 2014.\u00a0<em>Women\u00a0with\u00a0a\u00a0Thirst\u00a0for\u00a0Destruction.\u00a0The\u00a0Bad\u00a0Mother\u00a0in\u00a0Russian\u00a0Culture<\/em>.\u00a0Northwestern\u00a0University Press.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kelly, C. 1994.&nbsp;<em>A&nbsp;History&nbsp;of&nbsp;Russian&nbsp;Women&#8217;s&nbsp;Writing&nbsp;1820-1992<\/em>. Oxford:&nbsp;Clarendon&nbsp;Press.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kur\u010datkin, A.&nbsp;<em>Babij&nbsp;dom<\/em>, 1986.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mamonova, T. 1989.&nbsp;<em>Russian&nbsp;Women&#8217;s&nbsp;Studies<\/em>.&nbsp;Pergamon&nbsp;Press.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marsh, R. 1996.&nbsp;<em>Gender&nbsp;and&nbsp;Russian&nbsp;Literature<\/em>. Cambridge University Press.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Medari\u0107, M. 2001.&nbsp;<em>Pi\u0161u li \u017eene u suvremenoj Rusiji \u2013 \u201e\u017eensko pismo\u201c?<\/em>, \u201eNova Istra\u201c, br. 2-3.&nbsp; Str. 149-159.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rjabov, O. 2001. \u00abMatu\u0161ka-Rus&#8217;\u00bb. Moskva.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sorvari, Marja. 2022.&nbsp;<em>Displacement and (Post)memory in Post-Soviet Women\u2019s Writing<\/em>. Palgrave Macmillan.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vorob\u2019eva, N. V. 2006.&nbsp;<em>\u017denskaja&nbsp;proza 1980-2000-h&nbsp;godov: dinamika, problematika, po\u00e8tika<\/em>.&nbsp;Dissertacija.&nbsp;Permskij&nbsp;gosudarstvennyj&nbsp;pedagogi\u010deskij&nbsp;universitet.&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Broj ECTS bodova: 3\u00a0 Semestar izvo\u0111enja:\u00a0ljetni\u00a0 Nositelj i izvo\u0111a\u010d: izv. prof. dr. sc. Danijela Lugari\u0107 Vukas\u00a0 Jezik: ruski i hrvatski\u00a0 Oblik nastave: predavanje (2 sata) i seminar (1 sat)\u00a0 Trajanje: 1 semestar, 3 sata tjedno\u00a0 Prostor i vrijeme: petak, 11.00-12.30 (predavanje); 12.30-13.15 (seminar); A-118\u00a0 Uvjeti: polo\u017een Pregled povijesti ruske knji\u017eevnosti 2\u00a0 Ciljevi kolegija:&nbsp; Kolegij se [&hellip;]<\/p>\n","protected":false},"author":123457,"featured_media":0,"parent":22,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5473","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/123457"}],"replies":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5473"}],"version-history":[{"count":3,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5473\/revisions"}],"predecessor-version":[{"id":7094,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5473\/revisions\/7094"}],"up":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}