{"id":5326,"date":"2023-09-17T20:36:07","date_gmt":"2023-09-17T18:36:07","guid":{"rendered":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=5326"},"modified":"2026-02-15T21:08:52","modified_gmt":"2026-02-15T19:08:52","slug":"ruski-postmodernizam-4","status":"publish","type":"page","link":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=5326","title":{"rendered":"Ruski postmodernizam"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Ime nastavnika<\/strong>: dr. sc. Jasmina Vojvodi\u0107, red. prof.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Status kolegija<\/strong>: izborni (unutarnja izbornost)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jezik<\/strong>: ruski&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Oblik nastave<\/strong>: predavanje (2 sata) i seminar (1 sat)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Trajanje<\/strong>: 1 semestar (zimski), 3 sata tjedno&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prostor i vrijeme<\/strong>:&nbsp;utorak: 11.45-13.15&nbsp;(A-223) (predavanje);&nbsp;13.15-14.00&nbsp;(A-223) (seminar)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Broj ECTS bodova<\/strong>: 3&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Uvjeti<\/strong>:&nbsp;polo\u017een&nbsp;<em>Pregled povijesti ruske knji\u017eevnosti 2<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obaveze studenata:<\/strong>&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>redovito poha\u0111anje nastave (najvi\u0161e tri izostanka)\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>pripreme za seminarsko\u00a0usmeno izlaganje, \u010ditanje predlo\u017eaka\u00a0\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>usmeni\u00a0ispit na kraju kolegija\u00a0<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ciljevi kolegija:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Usvajanje znanja iz razdoblja ruskog postmodernizma, upoznavanje recentnih ruskih autora i njihovih poetika, poku\u0161aj uspostavljanja sustava ruskog postmodernizma i njegova usporedba s drugim nacionalnim knji\u017eevnostima.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Uloga kolegija u ukupnom kurikulumu:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kolegij \u010dini dio izbornosti kolegija iz knji\u017eevnosti na tre\u0107oj i \u010detvrtoj godini preddiplomskog studija ruskog jezika i knji\u017eevnosti. Uloga je kolegija da, kao jedan od kolegija u izbornoj ponudi s unutarnjom izborno\u0161\u0107u, studentima omogu\u0107i snala\u017eenje u najnovijoj ruskoj knji\u017eevnoj produkciji i teoriji.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kori\u0161tene metode:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">klasi\u010dno predavanje, raspravljanje, izlaganje seminara, analiza teksta, usporedba teksta i filmskog\/reklamnog diskursa,&nbsp;<em>close&nbsp;reading<\/em>.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ishodi u\u010denja:<\/strong>&nbsp;<\/p>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li>dijakronijski odrediti i klasificirati razdoblja najnovije ruske knji\u017eevnosti\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"2\" class=\"wp-block-list\">\n<li>izdvojiti, objasniti i interpretirati klju\u010dna razdoblja najnovije ruske knji\u017eevnosti\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"3\" class=\"wp-block-list\">\n<li>samostalno primijeniti nau\u010denu teorijsku literaturu na knji\u017eevni tekst suvremenih pisaca\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"4\" class=\"wp-block-list\">\n<li>sintetizirati bitne elemente u tekstu\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"5\" class=\"wp-block-list\">\n<li>usmeno i pismeno prezentirati vlastiti rad na ruskom jeziku\u00a0<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Plan rada po tjednima:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Upoznavanje s na\u010dinom rada, literaturom, odre\u0111ivanje seminarskih tema.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pregled povijesti ruske knji\u017eevnosti na prijelomu iz 20. u 21. stolje\u0107e. Autori, \u017eanrovi, teme&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>3. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Postmodernizam u europskim knji\u017eevnostima i u ruskoj knji\u017eevnosti.&nbsp;Teorija.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>4. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poststrukturalizam.&nbsp;Ruski postmodernizam.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>5.&nbsp;Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Viktor&nbsp;Pelevin. Poetika drugih svjetova.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>6. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Viktor&nbsp;Pelevin. Rad na tekstu.&nbsp;Rasprava.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>7. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vikor&nbsp;Pelevin&nbsp;i Vladimir&nbsp;Sorokin. Klju\u010dne to\u010dke ruskog postmodernizma.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>8. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vladimir&nbsp;Sorokin. Poetika destrukcije. Podteme:&nbsp;heterotopija&nbsp;i&nbsp;nomadizam.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>9. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vladimir&nbsp;Sorokin. Analiza teksta.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>10. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u017densko pismo. Ljudmila&nbsp;Ulickaja&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>11. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u017denska tjelesnost.&nbsp;Neosentimentalizam. Ljudmila&nbsp;Ulickaja&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>12. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poetika&nbsp;prezentizma. Marija&nbsp;Stepanova&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>13. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marija&nbsp;Stepanova. Analiza teksta&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>14. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Transformacija knji\u017eevnih \u017eanrova&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>15. Nastavna jedinica<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ponavljanje.&nbsp;Priprema za ispit&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Literatura<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1.1. Obavezna<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u010cernjak, M. A. 2017.\u00a0<em>Aktual&#8217;naja\u00a0slovestnost&#8217; XXI\u00a0veka.\u00a0Prigla\u0161enie\u00a0k\u00a0dialogu.\u00a0U\u010debnoe\u00a0<\/em><em>posobie<\/em>. Moskva (vybor)\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8p\u0161tejn, M. 2005.\u00a0<em>Postmodern\u00a0v\u00a0russkoj\u00a0literature (Razdel\u00a02.\u00a0Svoeobrazie\u00a0rossijskogo<\/em>&#8211;<em>sovetskogo\u00a0postmoderna).<\/em>\u00a0Moskva, s. 67-93.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Sovremennaja\u00a0russkaja\u00a0literatura (1990-e gg. \u2013\u00a0na\u010dalo\u00a0XXI v.)<\/em>\u00a02005 (ur. S. I.\u00a0Timina).\u00a0Sankt-Peterburg\u00a0(vybor)\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. 2012.&nbsp;<em>Tri tipa ruskog postmodernizma<\/em>. Zagreb.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u010d, Ja. 2021.&nbsp;<em>Neomifologizm&nbsp;v&nbsp;aktual&#8217;noj&nbsp;russkoj&nbsp;proze<\/em>. Moskva&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1.2 Knji\u017eevni tekstovi (obavezni)<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Viktor&nbsp;Pelevin:&nbsp;<em>\u017deltaja&nbsp;strela,&nbsp;Zal&nbsp;poju\u0161\u010dih&nbsp;kariatid<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vladimir&nbsp;Sorokin:<em>&nbsp;Metel&#8217;,&nbsp;Dostoevsky-trip,&nbsp;Skazka<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ljudmila&nbsp;Ulickaja:&nbsp;<em>Sone\u010dka<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marija&nbsp;Stepanova:&nbsp;<em>Fokus<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2.1. Izborna literatura<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Akopjan, K. Z.;&nbsp;Zaharov, A. V. i dr. 2004.&nbsp;<em>Massovaja&nbsp;kul&#8217;tura<\/em>. Moskva&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bedzir, N. P. 2007.\u00a0<em>Russkaja\u00a0postmodernistskaja\u00a0proza v\u00a0vosto\u010dno- i\u00a0<\/em><em>zapadnoslavjanskom\u00a0literaturnom kontekste<\/em>.\u00a0U\u017egorod\u00a0(Glava 1 i Glava 2)\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ben\u010di\u0107, \u017d. 2017.&nbsp;<em>Mjese\u010dar u magli. Ogledi o suvremenoj ruskoj knji\u017eevnosti<\/em>. Zagreb.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bogdanova, O. A. 2013.&nbsp;<em>Russkaja<\/em>&nbsp;<em>proza<\/em>&nbsp;<em>konca<\/em>&nbsp;<em>XX<\/em>&nbsp;\u2013&nbsp;<em>na\u010dala<\/em>&nbsp;<em>XXI<\/em>&nbsp;<em>v<\/em>.&nbsp;Osnovnye&nbsp;tendencii. Sankt-Peterburg.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u010cernjak, M. A. 2007.&nbsp;<em>Massovaja&nbsp;literatura XX&nbsp;veka.&nbsp;U\u010debnoe&nbsp;posobie<\/em>. Moskva.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u010cernjak, M. A.;\u00a0\u010cernjak\u00a0V. D. 2016.\u00a0<em>Massovaja\u00a0literatura v\u00a0ponjatijah\u00a0i\u00a0terminah.\u00a0<\/em>\u00a0 <em>U\u010debnyj\u00a0slovar&#8217;-spravo\u010dnik<\/em>. Moskva.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u010cernjak, M. 2018.\u00a0<em>Proza\u00a0cifrovoj\u00a0\u00e8pohi.\u00a0Tendencii,\u00a0\u017eanry, imena.\u00a0U\u010debnoe\u00a0posobie<\/em>.\u00a0Moskva.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0110or\u0111evi\u0107, J. (ur.) 2012.&nbsp;<em>Studije kulture. Zbornik<\/em>. Beograd.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ermolin, E. 2015.\u00a0<em>Mediumy\u00a0bezvremen&#8217;ja. Literatura v \u00e8pohu postmoderna ili\u00a0transavangard<\/em>.\u00a0Moskva.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8p\u0161tejn, M. N. 2005.&nbsp;<em>Postmodern&nbsp;v&nbsp;russkoj&nbsp;literature<\/em>. Moskva&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kovtun, N.&nbsp;2022.&nbsp;<em>Obraz&nbsp;geroja&nbsp;sovremennosti&nbsp;v proze&nbsp;rube\u017ea&nbsp;XX \u2013 XXI&nbsp;vekov<\/em>. Moskva.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kovtun, N. 2022.&nbsp;<em>Trikster&nbsp;kak&nbsp;geroj&nbsp;na\u0161ego&nbsp;vremeni. Na&nbsp;materiale&nbsp;russkoj&nbsp;prozy&nbsp;vtoroj&nbsp;poloviny&nbsp;XX \u2013 XXI&nbsp;veka<\/em>. Moskva.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nefagina, G. L. 2005.&nbsp;<em>Russkaja&nbsp;proza konca XX&nbsp;veka.&nbsp;U\u010debnoe&nbsp;posobie<\/em>. Moskva&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lejderman, N. L. i\u00a0Lipoveckij, M. N. 2003.\u00a0<em>Sovremennaja\u00a0russkaja\u00a0literatura 1950-1990<\/em>&#8211;<em>e\u00a0gody<\/em>. T. 2. Moskva\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lipoveckij, M. 2008.\u00a0<em>Paralogii.\u00a0Transformacii\u00a0(post)modernistskogo\u00a0diskursa v\u00a0russkoj\u00a0<\/em><em>kul&#8217;ture\u00a01920-2000-h\u00a0godov<\/em>. Moskva.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Russkaja&nbsp;literatura XX&nbsp;veka&nbsp;v&nbsp;dvuh&nbsp;tomah<\/em>&nbsp;(pod red. L. P.&nbsp;Kremencova). Moskva, 2003.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Safronova, L. 2009.&nbsp;<em>Postmodernistskij&nbsp;tekst. Po\u00e8tika&nbsp;manipuljacii<\/em>. Sankt-Peterburg.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Solar, M. 2005.&nbsp;<em>Laka i te\u0161ka knji\u017eevnost<\/em>. Zagreb&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Solar, M. 2005.&nbsp;<em>Retorika postmoderne<\/em>. Zagreb &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sabo,\u00a0Tjunde\u00a0(Szabo,\u00a0T\u00fcnde). 2015<em>.\u00a0Rodoslovnaja\u00a0\u201eSone\u010dki\u201c.\u00a0Geneti\u010deskij\u00a0fon\u00a0posvestej\u00a0L.<\/em><em>Ulickoj.<\/em>\u00a0Szombathely.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sabo, T. 2022.&nbsp;<em>Stat&#8217;i&nbsp;o po\u00e8tike L.&nbsp;Ulickoj<\/em>. Moskva.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ugre\u0161i\u0107, D. 1989.&nbsp;<em>Pljuska u ruci (Antologija alternativne ruske proze)<\/em>. Zagreb&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vahtel, E. B. (Wachtel, A. B.) 2006.\u00a0<em>Knji\u017eevnost Isto\u010dne Evrope u doba\u00a0postkomunizma.\u00a0<\/em><em>Uloga pisca u Isto\u010dnoj Evropi.\u00a0<\/em>Prev. I.\u00a0Radosavljevi\u0107. Beograd\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. 2004.\u00a0<em>Nos \u2013\u00a0ot\u00a0tabaka do kokaina (o\u00a0nekotoryh\u00a0apektah\u00a0pop-kul&#8217;tury)<\/em>, u:\u00a0\u00abRussian\u00a0Literature\u00bb LVI (2004), Amsterdam, str. 313-329\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. 2007.\u00a0<em>\u010cto\u00a0otme\u010daet\u00a0Gulja? O\u00a0prazdnikah\u00a0v\u00a0proizvedenijah\u00a0Ljudmily\u00a0Ulickoj<\/em>,\u00a0u: \u00abRussian\u00a0Literature\u00bb LXII (2007) I. Amsterdam, str. 113-120\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. 2006.&nbsp;<em>Sem&#8217;ja&nbsp;i&nbsp;ee&nbsp;raspad (Determinizm&nbsp;i slu\u010dajnost&#8217; v&nbsp;proizvedenijah&nbsp;<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ljudmily&nbsp;Ulickoj)<\/em>, u: \u00abMaterialy&nbsp;XXXV&nbsp;me\u017edunarodnoj&nbsp;filologi\u010deskoj&nbsp; konferencii\u00bb. Sankt-Peterburg, str. 199-207&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. (ur.) 2010.&nbsp;<em>Kalendar. Zbornik radova<\/em>. Zagreb.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. (ur.) 2012.\u00a0<em>Hrana: od gladi do prejedanja. Zbornik znanstvenih radova<\/em>.\u00a0Zagreb.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. (ur.) 2012.&nbsp;<em>Transfer. Zbornik radova o transferima u kulturi<\/em>. Zagreb.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. (ur.) 2014.\u00a0<em>Nomadizam<\/em>.\u00a0<em>Zbornik znanstvenih radova u spomen na profesora\u00a0<\/em><em>Aleksandra Flakera<\/em>. Zagreb.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. (ur.) 2016.&nbsp;<em>Tijelo u tekstu. Aspekti tjelesnosti u suvremenoj kulturi<\/em>. Zagreb.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojvodi\u0107, J. (ur.) 2018.&nbsp;<em>Neomitologizam&nbsp;u kulturi 20. i 21. stolje\u0107a<\/em>. Zagreb.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Na\u010dini pra\u0107enja kvalitete i uspje\u0161nosti izvedbe kolegija:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anketa Sveu\u010dili\u0161ta u Zagrebu i anketa Filozofskog fakulteta Sveu\u010dili\u0161ta u Zagrebu&nbsp;\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ime nastavnika: dr. sc. Jasmina Vojvodi\u0107, red. prof.&nbsp; Status kolegija: izborni (unutarnja izbornost)&nbsp; Jezik: ruski&nbsp; Oblik nastave: predavanje (2 sata) i seminar (1 sat)&nbsp; Trajanje: 1 semestar (zimski), 3 sata tjedno&nbsp; Prostor i vrijeme:&nbsp;utorak: 11.45-13.15&nbsp;(A-223) (predavanje);&nbsp;13.15-14.00&nbsp;(A-223) (seminar)&nbsp; Broj ECTS bodova: 3&nbsp; Uvjeti:&nbsp;polo\u017een&nbsp;Pregled povijesti ruske knji\u017eevnosti 2&nbsp; Obaveze studenata:&nbsp; Ciljevi kolegija:&nbsp; Usvajanje znanja iz razdoblja ruskog [&hellip;]<\/p>\n","protected":false},"author":123457,"featured_media":0,"parent":22,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5326","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/123457"}],"replies":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5326"}],"version-history":[{"count":3,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5326\/revisions"}],"predecessor-version":[{"id":7111,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/5326\/revisions\/7111"}],"up":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}