{"id":4150,"date":"2020-10-01T16:10:21","date_gmt":"2020-10-01T14:10:21","guid":{"rendered":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=4150"},"modified":"2026-02-25T09:48:47","modified_gmt":"2026-02-25T07:48:47","slug":"knjizevno-kulturne-teme-19-stoljece","status":"publish","type":"page","link":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=4150","title":{"rendered":"Izabrane ruske (filmske) drame"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>ECTS bodovi:\u00a0<\/strong>3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Semestar izvo\u0111enja:\u00a0<\/strong>ljetni<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vrijeme i mjesto:&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SRIJEDA:<\/strong> 11:00-12:30 dvorana A223 &#8211; predavanje<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SRIJEDA: <\/strong>12:30-13:15 dvorana A223 &#8211; seminar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jezik izvo\u0111enja:\u00a0<\/strong>ruski<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nositelj:\u00a0<\/strong>dr.sc. Ivana Peru\u0161ko, izv. prof.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Izvo\u0111a\u010d:\u00a0<\/strong>dr.sc. Ivana Peru\u0161ko, izv. prof.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Satnica:\u00a0<\/strong>predavanja 30, seminar 15<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cilj:&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kolegij je posve\u0107en kategoriji drame kao filmske vrste. Stoga \u0107e studenti na kolegiju izu\u010davati zakonitosti filmske dramaturgije i drame kao sredi\u0161njega \u017eanra ruske suvremene kinematografije. Kolegiju je cilj da studenti upoznaju osnovne filmske \u0161kole, pravce, redatelje i probleme s kojima se susre\u0107e ruska filmska drama u drugoj polovici 20. stolje\u0107a i po\u010detkom 21. stolje\u0107a. Studenti \u0107e na temelju teorijskoga okvira i samostalnih analiza izabranih filmskih predlo\u017eaka ste\u0107i uvid u tzv. \u201dbolna mjesta\u201d i \u201dbolne emocije\u201d kojima je pro\u017eeta ruska kinematografija sovjetskoga i postsovjetskoga perioda. U istra\u017eivanju egzistencijalnih, dru\u0161tveno-politi\u010dkih i intimnih drama na filmskome platnu studenti \u0107e kroz pojedina\u010dni i grupni rad analizirati filmski jezik i stil razli\u010ditih ruskih redatelja (od M. Kalatozova do A. Zvjaginceva).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Metode pou\u010davanja:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U\u010denje na daljinu (OMEGA).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Predavanje<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Diskusije, razgovor&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Power point prezentacija<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ishodi u\u010denja.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Po zavr\u0161etku kolegija <\/strong><strong><em>Izabrane ruske drame<\/em><\/strong><strong>, studenti \u0107e mo\u0107i:&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>uo\u010diti i definirati na ruskom jeziku teorijske probleme i zakonitosti filmske dramaturgije.<\/li>\n\n\n\n<li>objasniti na ruskom jeziku posebnosti filmske drame u ruskoj kinematografiji 20. i 21. stolje\u0107a.\u00a0<\/li>\n\n\n\n<li>opisati i sistematizirati na ruskom jeziku dominantne teme u ruskoj filmskoj drami sovjetskoga perioda (druga polovica 20. stolje\u0107a)<\/li>\n\n\n\n<li>identificirati i komentirati na ruskom jeziku promjene koje nastupaju u ruskoj filmskoj drami poslije pada SSSR-a.\u00a0<\/li>\n\n\n\n<li>samostalno napisati i prezentirati strukturirani tekst na ruskom jeziku.\u00a0<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sadr\u017eaj:&nbsp;<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>25.2. UVOD U KOLEGIJ I NA\u010cIN RADA.\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"2\" class=\"wp-block-list\">\n<li>4. 3. FILMSKA DRAMA \u2013 METODOLO\u0160KI PROBLEMI S DRAMOM. POSTAVKA PROBLEMA, IZU\u010cAVANJE I POSTAVLJANJE GRANICA.\u00a0<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">IZ POVIJESTI RUSKOGA FILMA \u2013 SOVJETSKI FILM PRVE POLOVICE 20. ST.&nbsp;<\/p>\n\n\n\n<ol start=\"3\" class=\"wp-block-list\">\n<li>11. 3. NOVI FILMSKI JEZIK 1950-IH GODINA. M. KALATOZOV KAO VJESNIK NOVOGA RATNOG FILMA I NOVE RUSKE DRAME: <em>LETJAT \u017dURAVLI <\/em>(1957).\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"4\" class=\"wp-block-list\">\n<li>18. 3. NOVI FILMSKI JEZIK 1960-H GODINA. BORBA PROTIV SHEMATIZMA. NOVI NARA\u0160TAJ RUSKIH REDATELJA I NOVA LIRSKA KOMEDIJA: <em>JA \u0160AGAJU PO MOSKVE <\/em>G. DANELIJE.\u00a0<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">POVIJEST PROTIV POJEDINCA. FILM <em>IVANOVO DETSTVO<\/em> A. TARKOVSKOGA (1962).&nbsp;<\/p>\n\n\n\n<ol start=\"5\" class=\"wp-block-list\">\n<li>25. 3. RAZVOJ FILMSKE DRAME U RAZDOBLJU <em>ZASTOJA<\/em> (L. BRE\u017dNEVA). RUSKA KINEMATOGRAFIJA I PROBLEM CENZURE. POPULARNE MELODRAME VS. ZABRANJENI AUTORSKI FILM: <em>IRONIJA SUD&#8217;BY, ILI S L\u00cbGKIM PAROM!<\/em> \u00c8. RJAZANOVA <em>\u2013 KOMISSAR <\/em>A. ASKOL&#8217;DOVA\/ <em>ISTORIJA ASI KLJA\u010cINOJ<\/em> A. KON\u010cALOVSKOGA.\u00a0<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">PROCVAT TELEVIZIJSKE PRODUKCIJE: <em>SEMNADCAT&#8217; MGNOVENIJ VESNY <\/em>T. LIOZNOVE.&nbsp;<\/p>\n\n\n\n<ol start=\"6\" class=\"wp-block-list\">\n<li>1. 4. NOVI \u017dENSKI AUTORSKI FILM: LARISA \u0160EPIT&#8217;KO I KIRA MURATOVA.<\/li>\n<\/ol>\n\n\n\n<ol start=\"7\" class=\"wp-block-list\">\n<li><strong>15. 4. KOLOKVIJ (\u041f\u0420\u041e\u0412\u0415\u0420\u041a\u0410 \u0417\u041d\u0410\u041d\u0418\u0419)\u00a0<\/strong><\/li>\n<\/ol>\n\n\n\n<ol start=\"8\" class=\"wp-block-list\">\n<li>22. 4. \u017dANR SOCIJALNE DRAME U RAZDOBLJU PERESTROJKE (<em>MOJ DRUG IVAN LAP\u0160IN<\/em> A. GERMANA). FENOMEN <em>CRNJAKA <\/em>(RUS. <em>\u010cERNUHA<\/em>) \u2013 FILM <em>IGLA<\/em> R. NUGMANOVA (1988).\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"9\" class=\"wp-block-list\">\n<li>29. 4. APSURD PERESTROJKE I RASPAD SSSR-A NA FILMSKOM PLATNU. P\u00cbTR TODOROVSKIJ: <em>INTERDEVO\u010cKA <\/em>(1989)<em> <\/em>I PAVEL LUNGIN: <em>TAKSI BLJUZ <\/em>(1990)\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"10\" class=\"wp-block-list\">\n<li>6. 5. NOVA MITOLOGIJA RUSKOGA FILMA 1990-IH GODINA. VRLI NOVI SVIJET I STARI SOVJETSKI U\u017dAS. NIKITA MIHALKOV: <em>UTOML\u00cbNNYE SOLNCEM<\/em>, 1994. ALEKSANDR ROGO\u017dKIN: <em>OSOBENNOSTI NACIONAL&#8217;NOJ OHOTY, <\/em>1995.\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"11\" class=\"wp-block-list\">\n<li>13. 5. \u201dLO\u0160I RUSI\u201d NA EKRANU: NOVI RUSKI ANTIJUNAK \u2013 <em>BRAT <\/em>A. BALABANOVA, 1997.<\/li>\n<\/ol>\n\n\n\n<ol start=\"12\" class=\"wp-block-list\">\n<li>\u00a020. 5. AUTORSKA DRAMA A. SOKUROVA.\u00a0 RATNA IMPLOZIJA: <em>ALEKSANDRA <\/em>(2007) I EKSPERIMENTALNA FANTASTIKA: <em>SKAZKA <\/em>(2022)<\/li>\n<\/ol>\n\n\n\n<ol start=\"13\" class=\"wp-block-list\">\n<li>\u00a027. 5. NOVI JEZIK INTIMNE I DRU\u0160TVENE RUSKE DRAME A. ZVJAGINCEVA. FILMOVI <em>VOZVRA\u0160\u010cENIE <\/em>(2003) I <em>LEVI\u0410FAN <\/em>(2014).\u00a0<\/li>\n<\/ol>\n\n\n\n<ol start=\"14\" class=\"wp-block-list\">\n<li><strong>\u00a03. 6. KOLOKVIJ\u00a0 (\u041f\u0420\u041e\u0412\u0415\u0420\u041a\u0410 \u0417\u041d\u0410\u041d\u0418\u0419)<\/strong><\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Izbor iz literature:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dolin, A. 2024. <em>Kino ot \u2018Brata\u2019 do \u2018Slova pacana\u2019, <\/em>Riga: Meduza.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beumers, B. (ur.) 1999. <em>Russia on Reels: The&nbsp;Russian&nbsp;Idea in Post-Soviet&nbsp;Cinema<\/em>, I.B. Tauris: London\/New York.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frejlih, S. 2013. <em>Teorija kino: ot Ejzen\u0161tejna do Tarkovskogo<\/em>, Moskva: Akademi\u010deskij pro\u00e8kt.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hrenov, N. 2008. <em>Obrazy Velikogo razryva. Kino v kontekste smeny kul&#8217;turnyh cikov<\/em>, Moskva: Progress-Tradicija.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Margolit, E. 2012. <em>\u017divye i mertvoe. Zametki k istorii sovetskogo kino 1920-1960-h godov<\/em>, Sankt-Peterburg: Seans.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0422alal, \u0410. 2018. <em>Mif i \u017eizn&#8217; v kino: Smysly i instrumenty dramaturgi\u010deskogo jazyka<\/em>, ANO: Moskva.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zorkaja, N. 2005. <em>Historija ote\u010destvennogo kino<\/em>, Sankt-Peterburg: Aleteja.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ECTS bodovi:\u00a03 Semestar izvo\u0111enja:\u00a0ljetni Vrijeme i mjesto:&nbsp; SRIJEDA: 11:00-12:30 dvorana A223 &#8211; predavanje SRIJEDA: 12:30-13:15 dvorana A223 &#8211; seminar Jezik izvo\u0111enja:\u00a0ruski Nositelj:\u00a0dr.sc. Ivana Peru\u0161ko, izv. prof. Izvo\u0111a\u010d:\u00a0dr.sc. Ivana Peru\u0161ko, izv. prof. Satnica:\u00a0predavanja 30, seminar 15 Cilj:&nbsp; Kolegij je posve\u0107en kategoriji drame kao filmske vrste. Stoga \u0107e studenti na kolegiju izu\u010davati zakonitosti filmske dramaturgije i drame [&hellip;]<\/p>\n","protected":false},"author":123457,"featured_media":0,"parent":22,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4150","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/4150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/123457"}],"replies":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4150"}],"version-history":[{"count":5,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/4150\/revisions"}],"predecessor-version":[{"id":7148,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/4150\/revisions\/7148"}],"up":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}