{"id":2472,"date":"2017-02-20T12:05:51","date_gmt":"2017-02-20T10:05:51","guid":{"rendered":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=2472"},"modified":"2026-09-16T18:40:54","modified_gmt":"2026-09-16T16:40:54","slug":"ruske-knjizevno-znanstvene-i-kulturoloske-ideje-20-i-21-stoljeca","status":"publish","type":"page","link":"https:\/\/rusistika.ffzg.unizg.hr\/?page_id=2472","title":{"rendered":"Ruske knji\u017eevno-znanstvene i kulturolo\u0161ke ideje 20. i 21. stolje\u0107a"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Ime nastavnika<\/strong>: red. prof. dr. sc. Danijela Lugari\u0107 Vukas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Status kolegija<\/strong>: izborni<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jezik<\/strong>: ruski<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Oblik nastave<\/strong>: predavanje i seminar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Trajanje<\/strong>: 1 semestar (zimski), 3 sata tjedno<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prostor i vrijeme<\/strong>: srijeda: 13.15-14.45 (predavanje); 14.45-15.30 (seminar) \u2013 A-223<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Broj ECTS bodova<\/strong>: 3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Uvjeti<\/strong>: polo\u017een <em>Pregled povijesti ruske knji\u017eevnosti 2<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obaveze studenata:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>redovito poha\u0111anje nastave (najvi\u0161e tri izostanka)<\/li>\n\n\n\n<li>usmeno izlaganje na odabranu temu, izrada seminarskoga rada<\/li>\n\n\n\n<li>ispit (pismeni) na kraju kolegija<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ciljevi kolegija:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kolegij se bavi reprezentativnim dijelom tipi\u010dnih ruskih knji\u017eevno-znanstvenih i kulturolo\u0161kih ideja 20. i 21. stolje\u0107a. Njegovi su ciljevi upoznati studente s odabranim pojmovima, idejama i konceptima ruske knji\u017eevnoteorijske i kulturolo\u0161ke misli 20. i 21. stolje\u0107a kako bi ih se moglo primijeniti u analizama i tuma\u010denjima knji\u017eevnih tekstova. Premda kolegij primarno u\u010di razumijevanju, interpretaciji i tuma\u010denju knji\u017eevnoteorijskih i kulturolo\u0161kih pojmova, studente posredno upoznaje i s ruskom knji\u017eevno\u0161\u0107u i kulturom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Uloga kolegija u ukupnom kurikulumu:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kolegij \u010dini dio izbornosti kolegija iz knji\u017eevnosti na tre\u0107oj i \u010detvrtoj godini preddiplomskog studija Ruskoga jezika i knji\u017eevnosti. Uloga je kolegija da, kao jedan od kolegija u izbornoj ponudi, studentima omogu\u0107i snala\u017eenje u ruskoj knji\u017eevnoj i kulturalnoj teoriji 20. i 21. stolje\u0107a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kori\u0161tene metode:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">klasi\u010dno predavanje, diskusije uz pomno \u010ditanje knji\u017eevnih i tekstova kritike, gledanje filmova i video isje\u010daka, izlaganje seminarskih radova, Omega \u2013 rad, zada\u0107e i zadaci uz tekst na daljinu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ishodi u\u010denja:<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Osvijestiti i promisliti specifi\u010dnost povezanosti knji\u017eevnoga stvarala\u0161tva i knji\u017eevne teorije u razli\u010ditim kontekstima.<\/li>\n\n\n\n<li>Ste\u0107i nova znanja o ruskoj knji\u017eevnosti i kulturi iz aspekta odnosa knji\u017eevnosti, knji\u017eevne teorije i kulturalnih studija.<\/li>\n\n\n\n<li>Razviti vje\u0161tine pomnog \u010ditanja knji\u017eevno-znanstvenog teksta na stranome jeziku.<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Plan rada po tjednima<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Uvodno predavanje. Upoznavanje s na\u010dinom rada, temama i obavezama.<\/li>\n\n\n\n<li>Knji\u017eevnost i knji\u017eevna kritika \u2013 specifi\u010dnosti odnosa u ruskoj kulturi. O ulozi knji\u017eevnosti u ruskoj kulturi; \u201eliteraturocentrizam\u201c ruske kulture \u2013 stvarnost ili mit? Koncept \u201e\u017eiznetvor\u010destva\u201c. Knji\u017eevnost koja prethodi povijesti (ruska avangarda). Raslojenost knji\u017eevnosti tijekom sovjetskog vremena: slu\u017ebena i neslu\u017ebena knji\u017eevnost (samizdat). Ruski formalizam. Va\u017enost ruskog formalizma u kontekstu razvoja suvremene znanosti o knji\u017eevnosti. Promjena paradigme u znanosti u knji\u017eevnosti. Povijesni razvoj u tri faze. O prvom objavljenom radu V. \u0160klovskog <em>Uskrsnu\u0107e rije\u010di<\/em> (<em>\u0412\u043e\u0441\u043a\u0440\u0435\u0448\u0435\u043d\u0438\u0435 \u0441\u043b\u043e\u0432\u0430<\/em>, 1914) \u2013 najava promjene paradigme.<\/li>\n\n\n\n<li>O dva klju\u010dna pojma prve faze ruskog formalizma: o\u010du\u0111enje (\u201eostranenie\u201c) V. \u0160klovskog i literarnost (\u201eliteraturnost&#8217;\u201c) R. Jakobsona, u dvama utemeljiteljskim studijama ruskoga formalizma prve faze. \u0420. \u042f\u043a\u043e\u0431\u0441\u043e\u043d: <em>\u041d\u043e\u0432\u0435\u0439\u0448\u0430\u044f<\/em><em> <\/em><em>\u0440\u0443\u0441\u0441\u043a\u0430\u044f<\/em><em> <\/em><em>\u043f\u043e\u044d\u0437\u0438\u044f<\/em>, 1919. \u0412. \u0428\u043a\u043b\u043e\u0432\u0441\u043a\u0438\u0439: <em><u>\u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e<\/u><\/em><em><u> <\/u><\/em><em><u>\u043a\u0430\u043a<\/u><\/em><em><u> <\/u><\/em><em><u>\u043f\u0440\u0438\u0435\u043c<\/u><\/em>, 1917.<\/li>\n\n\n\n<li>O klju\u010dnom pojmu druge faze ruskog formalizma, skazu (\u201eskaz\u201c) B. \u00c8jhenbauma, kao i o sredi\u0161njoj distinkciji druge faze \u2013 izme\u0111u fabule i si\u017eea (u tekstu V. \u0160klovskog <em>Parodisti\u010dki roman: Sterneov \u201eTristram Shandy\u201c<\/em> \u2013 <em>\u041f\u0430\u0440\u043e\u0434\u0438\u0439\u043d\u044b\u0439<\/em><em> <\/em><em>\u0440\u043e\u043c\u0430\u043d<\/em><em>: \u00ab<\/em><em>\u0422\u0440\u0438\u0441\u0442\u0440\u0430\u043c<\/em><em> <\/em><em>\u0428\u0435\u043d\u0434\u0438<\/em><em>\u00bb <\/em><em>\u0421\u0442\u0435\u0440\u043d\u0430<\/em>, 1921). Razli\u010dita poimanja distinkcije fabule i si\u017eea kod ruskih formalista. \u0411. \u042d\u0439\u0445\u0435\u043d\u0431\u0430\u0443\u043c: <em><u>\u041a\u0430\u043a<\/u><\/em><em><u> <\/u><\/em><em><u>\u0441\u0434\u0435\u043b\u0430\u043d\u0430<\/u><\/em><em><u> <\/u><\/em>\u0428\u0438\u043d\u0435\u043b\u044c<em><u> <\/u><\/em><em><u>\u0413\u043e\u0433\u043e\u043b\u044f<\/u><\/em>, 1918.<\/li>\n\n\n\n<li>O novom pitanju u povijesti knji\u017eevnosti i sredi\u0161njoj ideji o nelinearnoj koncepciji knji\u017eevne povijesti \u2013 knji\u017eevnoj evoluciji \u2013 u tre\u0107oj fazi ruskih formalista. \u042e. \u0422\u044b\u043d\u044f\u043d\u043e\u0432: <em>\u041e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0439 \u044d\u0432\u043e\u043b\u044e\u0446\u0438\u0438<\/em>, 1927. \u0412: \u0422\u044b\u043d\u044f\u043d\u043e\u0432 \u042e. \u041d. <em>\u041f\u043e\u044d\u0442\u0438\u043a\u0430. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u041a\u0438\u043d\u043e.<\/em> 1977. \u041c\u043e\u0441\u043a\u0432\u0430. \u0421. 270\u2013281.<\/li>\n\n\n\n<li>O kraju formalne metode (tekst \u0160klovskog <em>Spomenik znanstvenoj pogre\u0161ci<\/em> \u2013 <em>Pamjatnik nau\u010dnoj o\u0161ibke<\/em>, 1930).<\/li>\n\n\n\n<li>Implicitna teorija dijaloga u Bahtinovoj tezi o vi\u0161eglasnoj rije\u010di. Estetika polifonije u romanima Dostoevskoga. \u041c. \u0411\u0430\u0445\u0442\u0438\u043d: <em>\u041f\u043e\u043b\u0438\u0444\u043e\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0439<\/em><em> <\/em><em>\u0440\u043e\u043c\u0430\u043d<\/em><em> <\/em><em>\u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u043e\u0433\u043e<\/em><em> <\/em><em>\u0438<\/em><em> <\/em><em>\u0435\u0433\u043e<\/em><em> <\/em><em>\u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u0435<\/em><em> <\/em><em>\u0432<\/em><em> <\/em><em>\u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439<\/em><em> <\/em><em>\u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435<\/em>; <em>\u0421\u043b\u043e\u0432\u043e<\/em><em> <\/em><em>\u0433\u0435\u0440\u043e\u044f<\/em><em> <\/em><em>\u0438<\/em><em> <\/em><em>\u0441\u043b\u043e\u0432\u043e<\/em><em> <\/em><em>\u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430<\/em><em> <\/em><em>\u0432<\/em><em> <\/em><em>\u0440\u043e\u043c\u0430\u043d\u0430\u0445<\/em><em> <\/em><em>\u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u043e\u0433\u043e<\/em><em>.<\/em> \u0412: \u0411\u0430\u0445\u0442\u0438\u043d, \u041c. <em>\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b<\/em><em> <\/em><em>\u043f\u043e\u044d\u0442\u0438\u043a\u0438<\/em><em> <\/em><em>\u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u043e\u0433\u043e<\/em>, 1929; 1972. \u0421. 5\u201311; 408\u2013433.<\/li>\n\n\n\n<li>O vremenu i prostoru knji\u017eevnoga teksta. Bahtinova koncepcija kronotopa. Kronotop kao temelj romaneskne strukture. Tipovi subjekata i modeli vremena i prostora. \u0411\u0430\u0445\u0442\u0438\u043d, \u041c. 1937\u20131938; 1973. <em><u>\u0424\u043e\u0440\u043c\u044b<\/u><\/em><em><u> <\/u><\/em><em><u>\u0432\u0440\u0435\u043c\u0435\u043d\u0438<\/u><\/em><em><u> <\/u><\/em><em><u>\u0438<\/u><\/em><em><u> <\/u><\/em><em><u>\u0445\u0440\u043e\u043d\u043e\u0442\u043e\u043f\u0430<\/u><\/em><em><u> <\/u><\/em><em><u>\u0432<\/u><\/em><em><u> <\/u><\/em><em><u>\u0440\u043e\u043c\u0430\u043d\u0435<\/u><\/em><em><u>: <\/u><\/em><em><u>\u043e\u0447\u0435\u0440\u043a\u0438<\/u><\/em><em><u> <\/u><\/em><em><u>\u043f\u043e<\/u><\/em><em><u> <\/u><\/em><em><u>\u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043f\u043e\u044d\u0442\u0438\u043a\u0435<\/u><\/em>. \u0412: \u0411\u0430\u0445\u0442\u0438\u043d, \u041c. 1975. <em>\u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u00ab\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u00bb. \u0421. 234\u2013236; 391\u2013407.<\/li>\n\n\n\n<li>Mit-neomit-mitopoetika. Zna\u010denje mita u ruskoj kulturi. Pojam neomita. Mitopoetsko i\u0161\u010ditavanje ruske knji\u017eevnosti kroz mitologiziranu binarnu opoziciju Moskve i Sankt Peterburga. Mitopoetski prostor i vrijeme. \u0412. \u041d. \u0422\u043e\u043f\u043e\u0440\u043e\u0432: <em><u>\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0430\u044f<\/u><\/em><em><u> <\/u><\/em><em><u>\u0438\u0434\u0435\u044f<\/u><\/em><em><u> <\/u><\/em><em><u>\u0440\u0443\u0441\u0441\u043a\u043e\u0439<\/u><\/em><em><u> <\/u><\/em><em><u>\u0438\u0441\u0442\u043e\u0440\u0438\u0438<\/u><\/em><em><u>. <\/u><\/em><em><u>\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433<\/u><\/em><em><u>&#8211;<\/u><\/em><em><u>\u041c\u043e\u0441\u043a\u0432\u0430<\/u><\/em>; <em><u>\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u0439<\/u><\/em><em><u> <\/u><\/em><em><u>\u0442\u0435\u043a\u0441\u0442<\/u><\/em><em><u>: <\/u><\/em><em><u>\u0435\u0433\u043e<\/u><\/em><em><u> <\/u><\/em><em><u>\u0433\u0435\u043d\u0435\u0437\u0438\u0441<\/u><\/em><em><u> <\/u><\/em><em><u>\u0438<\/u><\/em><em><u> <\/u><\/em><em><u>\u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430<\/u><\/em><em><u>, <\/u><\/em><em><u>\u0435\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430<\/u><\/em>. \u0412: \u0422\u043e\u043f\u043e\u0440\u043e\u0432, \u0412. \u041d. 1995. <em>\u041c\u0438\u0444. \u0420\u0438\u0442\u0443\u0430\u043b. \u0421\u0438\u043c\u0432\u043e\u043b. \u041e\u0431\u0440\u0430\u0437<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430. \u0421\u0442\u0440. 259\u2013274; 274\u2013281.<\/li>\n\n\n\n<li>Strukturalna poetika \u2013 semiotika Ju. M. Lotmana i Tartuske \u0161kole. Va\u017enost naslje\u0111a Proppove <em>Morfologije bajke<\/em> (<em>Morfologija skazki<\/em>, 1928). Koncept semiosfere, odnosno kulture kao znakovnog prostora. Dva klju\u010dna mehanizma kulture \u2013 predvidljivost (\u201epredskazuemost&#8217;\u201c) i nepredvidljivost (\u201enepredskazuemost&#8217;\u201c). Realizacija tih dvaju mehanizama u razli\u010ditim tipovima \u010dovjeka. Logika razvoja ruske kulture u Lotmanovoj koncepciji eksplozije (\u201evzryv\u201c). \u042e. \u041c. \u041b\u043e\u0442\u043c\u0430\u043d: <em>\u0414\u0443\u0440\u0430\u043a \u0438 \u0441\u0443\u043c\u0430\u0441\u0448\u0435\u0434\u0448\u0438\u0439<\/em>. \u0412: <em>\u0421\u0435\u043c\u0438\u043e\u0441\u0444\u0435\u0440\u0430<\/em>. 2004. \u041c\u043e\u0441\u043a\u0432\u0430. \u0421\u0442\u0440. 43\u201362. \u042e. \u041c. \u041b\u043e\u0442\u043c\u0430\u043d: <em>\u041b\u043e\u0433\u0438\u043a\u0430 \u0432\u0437\u0440\u044b\u0432\u0430<\/em>. \u0412: <em>\u0421\u0435\u043c\u0438\u043e\u0441\u0444\u0435\u0440\u0430<\/em>. 2004. \u041c\u043e\u0441\u043a\u0432\u0430. \u0421. 101\u2013108.<\/li>\n\n\n\n<li>Temporalna (dez)orijentacija suvremene ruske knji\u017eevnosti i kulture. Ne od modernizma prema postmodernizmu, nego od modernizma prema protomodernizmu. Proto = post. M. \u042d\u043f\u0448\u0442\u0435\u0439\u043d. 2004. <em>\u041e \u0441\u0438\u0442\u0443\u0430\u0446\u0438\u0438. <u>\u041e\u0442 \u00ab\u043f\u043e\u0441\u0442\u00bb \u043a \u00ab\u043f\u0440\u043e\u0442\u043e\u00bb<\/u><\/em> (23\u201332). \u0412: \u041c. \u042d\u043f\u0448\u0442\u0435\u0439\u043d. <em>\u0417\u043d\u0430\u043a<u>_\u043f\u0440\u043e\u0431\u0435\u043b\u0430. \u041e \u0431\u0443\u0434\u0443\u0449\u0435\u043c \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u044b\u0445 \u043d\u0430\u0443\u043a<\/u><\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435.<\/li>\n\n\n\n<li>Postkolonijalna teorija u izu\u010davanju sovjetske i ruske kulture. Rad na prijevodima.<\/li>\n\n\n\n<li>Suvremeni trendovi u razvoju knji\u017eevne teorije i kulturalnih studija. Rad na prijevodima.<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obavezna literatura<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ozna\u010dena u planu rada po tjednima<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Izborna literatura<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0411\u0430\u0445\u0442\u0438\u043d, \u041c. 1975. <em>\u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u00ab\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0411\u0430\u0445\u0442\u0438\u043d, \u041c. 1929; 1972. <em>\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b<\/em><em> <\/em><em>\u043f\u043e\u044d\u0442\u0438\u043a\u0438<\/em><em> <\/em><em>\u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u043e\u0433\u043e<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u00ab\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0414\u043e\u0431\u0440\u0435\u043d\u043a\u043e, \u0415., \u0422\u0438\u0445\u0430\u043d\u043e\u0432, \u0413. (\u0440\u0435\u0434.) 2011. <em>\u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0439 \u043a\u0440\u0438\u0442\u0438\u043a\u0438<\/em><em>: <\/em><em>\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0430\u044f \u0438 \u043f\u043e\u0441\u0442\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0430\u044f \u044d\u043f\u043e\u0445\u0438<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0417\u0435\u043d\u043a\u0438\u043d, \u0421. 2018. <em>\u0422\u0435\u043e\u0440\u0438\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u0438 \u0440\u0435\u0437\u0443\u043b\u044c\u0442\u0430\u0442\u044b<\/em>. \u00ab\u041d\u041b\u041e\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u041b\u0435\u0432\u0447\u0435\u043d\u043a\u043e, \u042f.; \u041f\u0438\u043b\u044c\u0449\u0438\u043a\u043e\u0432, \u0418. 2017. <em>\u042d\u043f\u043e\u0445\u0430 \u043e\u0441\u0442\u0440\u0430\u043d\u0435\u043d\u0438\u044f. \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u0444\u043e\u0440\u043c\u0430\u043b\u0438\u0437\u043c \u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0435 \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u043e\u0435 \u0437\u043d\u0430\u043d\u0438\u0435: \u041a\u043e\u043b\u043b\u0435\u043a\u0442\u0438\u0432\u043d\u0430\u044f \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u041b\u043e\u0442\u043c\u0430\u043d, \u042e. 2004. <em>\u0421\u0435\u043c\u0438\u043e\u0441\u0444\u0435\u0440\u0430<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0420\u0443\u0434\u043d\u0435\u0432, \u0412. \u041f. 1997. <em>\u0421\u043b\u043e\u0432\u0430\u0440\u044c \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b <\/em><em>XX<\/em><em> \u0432\u0435\u043a\u0430. \u041a\u043b\u044e\u0447\u0435\u0432\u044b\u0435 \u043f\u043e\u043d\u044f\u0442\u0438\u044f \u0438 \u0442\u0435\u043a\u0441\u0442\u044b<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u0410\u0433\u0440\u0430\u0444.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0421\u0442\u0435\u043f\u0430\u043d\u043e\u0432, \u042e. 2001. <em>\u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u044b: \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043f\u0440\u043e\u0435\u043a\u0442.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0422\u043e\u043f\u043e\u0440\u043e\u0432, \u0412. \u041d. 1995. <em>\u041c\u0438\u0444. \u0420\u0438\u0442\u0443\u0430\u043b. \u0421\u0438\u043c\u0432\u043e\u043b. \u041e\u0431\u0440\u0430\u0437<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0422\u044b\u043d\u044f\u043d\u043e\u0432, \u042e. 1977. <em>\u041f\u043e\u044d\u0442\u0438\u043a\u0430. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u041a\u0438\u043d\u043e.<\/em> \u041c\u043e\u0441\u043a\u0432\u0430.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0428\u043a\u043b\u043e\u0432\u0441\u043a\u0438\u0439, \u0412. 1914. <em>\u0412\u043e\u0441\u043a\u0440\u0435\u0448\u0435\u043d\u0438\u0435 \u0441\u043b\u043e\u0432\u0430<\/em>. \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0428\u043a\u043b\u043e\u0432\u0441\u043a\u0438\u0439, \u0412. 1983. <em>\u041e \u0442\u0435\u043e\u0440\u0438\u0438 \u043f\u0440\u043e\u0437\u044b<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u042d\u0439\u0445\u0435\u043d\u0431\u0430\u0443\u043c, \u0411. 1918. <em>\u041f\u043e\u044d\u0442\u0438\u043a\u0430<\/em>. \u041f\u0440\u0430\u0433\u0430.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u042d\u0442\u043a\u0438\u043d, A.; \u0423\u0444\u0444\u0435\u043b\u044c\u043c\u0430\u043d\u043d, \u0414., \u041a\u0443\u043a\u0443\u043b\u0438\u043d, \u0418. (\u0440\u0435\u0434.) <em>\u0422\u0430\u043c, \u0432\u043d\u0443\u0442\u0440\u0438. \u041f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \u0432\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u0435\u0439 \u043a\u043e\u043b\u043e\u043d\u0438\u0437\u0430\u0446\u0438\u0438 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0439 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0420\u043e\u0441\u0441\u0438\u0438<\/em>. \u041c\u043e\u0441\u043a\u0432\u0430: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u042f\u043a\u043e\u0431\u0441\u043e\u043d, \u0420. 1979. <em>Selected Writings. Vol.&nbsp;V: On Verse, Its Masters and Explorers.<\/em> The Hague; Paris; New York: Mouton.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ime nastavnika: red. prof. dr. sc. Danijela Lugari\u0107 Vukas Status kolegija: izborni Jezik: ruski Oblik nastave: predavanje i seminar Trajanje: 1 semestar (zimski), 3 sata tjedno Prostor i vrijeme: srijeda: 13.15-14.45 (predavanje); 14.45-15.30 (seminar) \u2013 A-223 Broj ECTS bodova: 3 Uvjeti: polo\u017een Pregled povijesti ruske knji\u017eevnosti 2 Obaveze studenata: Ciljevi kolegija: Kolegij se bavi reprezentativnim [&hellip;]<\/p>\n","protected":false},"author":123457,"featured_media":0,"parent":22,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2472","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/2472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/123457"}],"replies":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2472"}],"version-history":[{"count":5,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/2472\/revisions"}],"predecessor-version":[{"id":7316,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/2472\/revisions\/7316"}],"up":[{"embeddable":true,"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/rusistika.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}